It’s finally time for the Easter weekend edition of 613flea! I’ll be there as usual with my latest and greatest vintage housewares and kitchenware finds.
You can find me in pretty much the same spot as last month, a little bit left of the north door (the far left door on the long side of the building if you’re coming in from Bank Street).
Looking forward to seeing you there!
I’m super excited about the Easter edition of 613flea coming up this Saturday because I’ve managed to source some absolutely fabulous “new” vintage Pyrex! It’s all beautiful, and some of it has become quite rare.
1957-1966 Gooseberry Chip & Dip Cinderella Bowls
Pink Pyrex is highly prized because there weren’t all that many patterns released in this popular colour.
1957-1968 Butterprint Casseroles
Butterprint is an extremely popular design, so much so that when Pyrex released their modern “Vintage Charm” line, one of the most common is quite obviously an updated version of this pattern.
1958 Balloons Cinderella Bowl
The Balloons pattern is extremely rare; it was only released for the one year, so there weren’t many of them made. This has made it a highly sought-after collector’s item.
1960-1961 Golden Grapes Chip & Dip Cinderella Bowls
Golden Grapes is unusual because the design was printed on delphite blue rather than the more common opal ware. The gold colour actually comes from real gold, which means that these dishes, like any containing metal, are not microwave safe. (All of the other vintage Pyrex dishes without metal are microwave, oven, fridge, and freezer safe.)
1963-1967 Town and Country Casserole
The Town and Country kitchenware was available as a large mix-and-match series, which is why so many of them survive to this day. They’re not as rare as some of their older counterparts, but they remain colourful and versatile.
1972-1981 Butterfly Gold Mixing Bowls
With Butterfly Gold we start getting into colours and patterns that I remember from my childhood; many people who had children around my age would have received kitchenware in this pattern as a wedding gift.
1978-1983 Woodland Cinderella Bowl
The Woodland pattern is less common than the Butterfly Gold, although they’re from the same era.
As an aside, this was a battle I was constantly fighting while trying to get these photos: my cat really likes my light box. I’m not sure why I was surprised, as it was both warm from the lights and, well, it’s a box. I use a long exposure because the lights aren’t all that powerful, which is usually fine since the dishes don’t move, but it does mean that the cat interrupts with a blur.
1980’s Pyrex Checks & Cherries Bowls
Last but not least, I have these lovely Checks & Cherries bowls, which are probably the most recent items in my collection. I love the vibrant colours! This pattern is also very rare, although more so in the US than in Canada.
I’ve wrapped all of this Pyrex carefully and loaded it into boxes, ready to bring to the flea market on Saturday. I can’t wait! My favourite part of markets is when someone finds that one piece they’ve been looking for for what seems like forever. It’s so satisfying to see peoples’ faces light up with enthusiasm. It really makes my day!
I’m really happy to say that I’ll be at the April 20th edition of 613flea at Lansdowne Park! It was kind of touch-and-go there for a while because I missed the vendor application date. I got really sick with yet another sinus cold that week, and it just plain old slipped my mind. That’s one of the downsides to working for yourself: if you get sick, there’s nobody to fill in for you. Luckily the organizers of the market were able to squeeze me in, so I’ll be there with bells on!
The April market happens to fall on the Saturday of Easter weekend, which means everybody will be thinking spring, so I thought I should focus my attention on some of the more colourful items I could bring along. It turns out that I have a number of new-to-me green pieces!
I’m particularly fond of the way that the green shades gradually from light to darker on this large 1971-1972 Cinderella bowl in the pattern “Green Dot-Squares”.
The Spring Blossom pattern ran for quite a bit longer, from 1972-1979, and I think that’s why so many people of my generation have happy memories of it at their parents’ or grandparents’ house.
This nesting set of Cinderella mixing bowls in coordinating shades of green is also from the early 1970’s, although in my research I haven’t yet been able to narrow it down to a specific year.
These coordinating casserole dishes look great together, but I know they’re not all from the same decade. The top one, which is a vibrant lime green even though the photo doesn’t do it justice, began being manufactured in 1952 and continued into the 1960’s. The greenish-yellow and olive, though, were also made in the 1970’s to coordinate with the mixing bowls.
I have to admit, I rather enjoy researching new patterns and styles, although sometimes I don’t get the most precise results.
It’s finally that time again! This Saturday will be my first market of the season, and since I haven’t had a show in like three months I have so much new stuff to share. But first, the layout has changed a bit from last year, although I’m happy to say that I have a corner booth (perfect for my preferred layout) that is near where you could find me last year.
I’m still on the northwest side of the building, just a little further from the centre doors.
Since this is the March market and hence the one closest to Saint Patrick’s Day, I thought I’d showcase some of my green pieces.
These stacking Pyrex mixing bowls are from the 1980’s; this style remains a pretty constant favourite.
These Hazel-Atlas bowls have a lovely green ivy print.
This rather large oval casserole dish is from the 1972-1978 Pyrex Spring Blossom Green collection.
This is my most vibrantly green piece — although it’s only this bright under UV light. Granted, it’s still a lovely green otherwise. It’s Depression glass; this type is also known as uranium glass because a tiny bit of uranium in the mix is what gives it its colour. It’s also known as Vaseline glass in some places, but while all uranium glass may be called Vaseline glass due to its colour, all Vaseline glass may not be called uranium glass because it doesn’t all contain uranium. Don’t worry, there’s not enough uranium there for it to be dangerous; it’s no worse than eating a banana.
Hope to see you at 613flea!
I know I’ve been posting so many pics lately of my “new” vintage pieces that I’m preparing for the upcoming market season, but I’m so hyped! I’ve found so many cool things that I can’t wait to share with you all. For example:
I’ve featured the Daisy pattern (1969-1970) on my blog before, but this is the first time I’ve had a casserole with the clear lid. It was also printed in the same pattern on a white lid during the same run.
The Early American pattern (1962-1971) was also called Early Canadian; the pattern is the same, but it was named differently for the different markets. It came in multiple colourways, and all of featured designs printed in 22-karat gold. Since microwave ovens only started to become affordable for home use in the early 1970’s, and common beginning in the 1980’s, the company wasn’t able to foresee the issues surrounding metal decoration for dishes. Therefore, as with all Pyrex dishes with gold designs, this one isn’t microwave safe — but it is still good for fridge, freezer, and oven.
The Wheat pattern, from 1978, is a little more versatile than its fancier brethren, since the non-metallic screen-printed design is microwave-safe.
Last but not least, I found two versions of the Market Garden print (1971-1982), which remains as colourful and detailed as the day they were printed. These dishes were labelled as JAJ pyrex, which means they were made before 1973, since Pyrex made in England was only labelled as such between 1921 and 1973; after that it would have been labelled Pyrex England, when the company changed hands. I do find that there is quite a stylistic difference between the dishes made by the American and English subsidiaries of the company. Overall, the ones with American or shared designs tend to be plainer and simpler. However, many of the ones released solely in England are much more complicated, often with multiple colours, finer lines, and designs that are closer to photos than line drawings. Which one is better is entirely a matter of personal preference, though; functionally, they all work just as well.
I’m so looking forward to the 2019 market season! For me that won’t start until the March 9th edition of 613flea, which means that until then I’ll be working on leveling the collection I have to share. Even though I have to have patience until my next market, I have to admit, I’ve been taking a great deal of joy in some of the “new” (well, new to me) Pyrex items I’ve found.
One of the things that has been holding me back when it comes to posting about my latest finds is that, frankly, I didn’t have enough room to photograph them decently. My workspace had become cluttered and messy, and my light box was just too small for the larger items. I have an absolutely lovely fold-up light tent that has worked for me for years (it’s so convenient!) and I’d eventually love one in the same style in a larger size, but right now I needed something quick and easy. So I got some large pieces of poster board and made something very akin to what you’d find in this tutorial. I think the results were pretty grand!
I absolutely love these Cinderella mixing bowls in the Colonial Mist pattern, which was originally sold from 1983 to 1986. One great thing about this style of bowl is that they’re also ovenware, so they do double duty as casserole dishes.
This set of three mixing bowls in the Homestead pattern (1976 to 1980) is a more standard shape, but also be used in the oven or microwave as well.
I was especially happy to find this Pink Daisy casserole, even though it’s a bit worse for wear and without its lid, because pink is a highly sought after colour. This particular pattern ran from 1956 to 1962, so this dish is between 57 and 63 years old, which adds to its rarity.
These Pyrex England stacking casseroles in the Emily or Spring Garden pattern aren’t quite as vintage, but since they’re from 1986 that means they’re still 33 years old — and they’re imported.
Given the colours of the pattern and the brown lids, I would have pegged them as being from the 70’s, but these Pyrex England casseroles in Brown Vine are from 1983 to 1985.
People have asked me why I like vintage Pyrex (and vintage kitchenware in general) so much. Although I really do love that I’m keeping perfectly serviceable items out of a landfill, I there’s more to it than that. I think it boils down to the fact that I like pretty, unusual things, and when I use such things I feel better about whatever I’m working on. Cooking is something that has to be done every single day, and it’s easy for it to become dreary and monotonous. I try to alleviate this by trying new dishes, new styles of cooking, and new techniques, but I think that it also helps to surround yourself with things that make you happy. To me, there is a thrill of the hunt for things that I consider both practical and beautiful, as well as a great deal of satisfaction in using these things once I have them. To paraphrase Marie Kondo, for me, these things spark joy.
We’re getting down to the Christmas crunch, which means more flea markets for me! This coming Saturday is 613flea at Lansdowne Park. It’s not technically the Christmas market (that’s in two weeks on December 1st), but a lot of vendors will be bringing out their holiday wares because people like to shop early — especially if they’re shipping presents to family, or are planning on traveling themselves. Considering that the local Christmas craft fairs started up the Saturday after Halloween, I don’t really think it’s too early.
Once again, I’ve managed to narrow down my social media pictures to two, and I can’t choose between them. Which do you like best, this one:
Or this one:
I mean, they couldn’t be more different, but I like them both. It’s very hard to be objective when each one holds some pretty happy memories for me.
I’m also really excited this week because I have found some absolutely fabulous new pieces that I’ll be including at my booth. Once again I have warm colours:
Versus cool:
I honestly love them all and would be happy to keep them in my kitchen, but if I kept every piece that I like I wouldn’t have anything for my booth.
Hope to see you there!
Because I am passionate about thrifting, a lot of second-hand items come my way from friends and family, garage sales, thrift shops, charity stores, estate sales and moving sales. I’d like to say that everything that I get comes in tip-top shape, but unfortunately that’s not the case. A certain amount of wear-and-tear is expected, especially when it comes to vintage or antique pieces that have seen everyday use. That doesn’t bother me at all. What I will not condone the level of filth of some of these items.
That isn’t to say that I won’t work with something that is scuzzy. On the contrary — but I won’t keep an item that I can’t get clean. Luckily, a lot of kitchen items are metal, glass, or plastic, which can all be recycled in this area if I can’t bring them up to an acceptable level. But I much prefer to put some elbow grease into it to get things spic and span again if I can. Reuse before recycling, if possible, as it were. If you factor in the time it takes me to clean pieces like this, it’s probably not cost-effective, but to me it’s still worth it to keep something perfectly serviceable out of a landfill or recycling center. Those teachers who repeated, “Reduce, reuse, recycle!” to me as a child should be happy that something stuck.
Before and after cleaning of some glass cookware that I came by recently.
Clear glass, especially Pyrex and Anchor ware, are some of my favourites when it comes to bringing things back up to snuff. The heavy, clear glass is impermeable, so even long-standing coatings of dirt and grease don’t sink under the surface. This glassware is dishwasher-safe, so often I can get the machine to do a lot of the work for me. I mean, there are all kinds of tricks online to help remove different kinds of gunge, but in my experience a lot of soap, hot water, soaking, and scrubbing usually does the trick. I’ve discovered that one of the best things to use to scrape off stubborn, caked-on food is bamboo skewers. You can put a fair amount of pressure behind the wood, but it’s still fragile enough that it will break before scratching or etching the glass.
There’s just something terribly satisfying about seeing what was once a shamefully dirty dish become something you wouldn’t hesitate to use to serve your grandmother.
Own Two Hands 