Russell Flea Saturday June 16th

So it looks like tomorrow will be the last Russell Flea of the season! Originally there was supposed to be one more on June 30th, but the school where it’s held couldn’t get a janitor to work that day (not surprising, as it’s the holiday weekend), so it had to be cancelled. I’m not terribly upset, since this means I’ll get to spend all of Canada Day weekend with my family. That being said, this means I have to cram all of the new-to-me summer items into my stall tomorrow! I’ve been doing some serious hunting for vintage housewares, so there’s all kinds of new things to see. Given the beautiful weather today and the completion of my new deck, I had to head out to my back yard to take some pictures.

I’ve found a lovely handmade pottery bowl set from 1978, which includes six salad bowls and a larger serving bowl. Perfect for hosting summer barbecues!

There are some fun metal 1970’s canisters that would protect your coffee, tea, and sugar from insects and rodents at the cottage or camp.

Lots of melamine picnicware up for grabs, including cups, mugs, plates, and bowls. They’re lightweight, hard-wearing, and great for camping or just lounging near the pool.

And of course I always have classic Tupperware! I grew up with this style of colourful bell tumbler and juice jug. At my house, they were mainstays of the kids’ table.

Of course there is a lot more that I haven’t taken photos of (yet)! You can see it all at Russell Flea tomorrow. Hope to see you there!

Shabby Chic Tea Light Holders

At Russell Flea this past Saturday, I was able to debut my latest work with upcycled items: shabby chic tea light holders made with vintage spoons.

They look pretty simple, but I honestly didn’t think I’d get them done in time. It turns out that drilling through stainless steel — some of which was 4mm thick depending on the design — with my old hand drill was very, very difficult. I snapped two bits, dulled at least three more, and almost burned out my drill’s motor. At no point was the work ever quick; it seemed to take forever to make a single hole.

Despite the difficulties, in the end I was quite satisfied with how the first pale pink ones turned out, so I made two more in pale green. My favourite is the one made from the intricate little sauce ladle (which of course was the one with the thickest handle and gave me the most difficulty).

In addition to adding these new pieces to my lineup, I also remembered to purchase some lovely dark maple syrup from McCannell Craftwork. Laurie McCannell and I had stalls that abutted each other this week, so it was hard to forget! We had a chance to chat about yarn and a whole host of other subjects between customers while she spun yarn at her wheel and I knit. It was lovely.

I also got some great news this weekend! I’ve been accepted to 613flea for Saturday, April 21st. For those not familiar, 613flea is a monthly market held at Aberdeen Pavilion in Lansdowne Park. There’s always so much to see there, and so many fantastic finds and delicious food. So feel free to pop by between 10:00am to 4:00pm in two weeks — as always, admission is free!

Russell Flea on Saturday

It’s my second flea market at Russell Flea this coming Saturday (9:00am to 3:00pm), and I am super excited. I think I’m starting to get the hang of this booth set-up and tear-down thing. I’m really looking forward to meeting all kinds of new people and hopefully chatting about cooking, collecting, and handicrafts.

This Saturday my booth will be in the cafetorium — that’s essentially the cafeteria with a stage at the back that’s to the left of the main entrance. You should be able to see me off to your left as soon as you go through the cafetorium doors. (Am I the only one who thinks that the word “cafetorium” is kind of silly? I mean, it’s no worse than the “gymatorium” in the elementary school that I grew up with, which is an even sillier word, if you ask me. All of these combos just mean that the sports groups and performing arts groups have to compete for time and space, anyway.)

This very much not-to-scale map shows you where you should be able to find me. I combined two layouts that were done to different scales so that I could draw that red arrow. But I hope it’s clear enough.

One of the items I’ll be bringing back this week is the footstool/table that I upcycled from a vintage suitcase. It hasn’t found a home yet, so this might be your chance to snap it up.

I did hope to make a few more items in time for Saturday, but I’ve been experiencing technical difficulties, namely that I keep snapping drill bits. I’ll hit the hardware store tomorrow and try to pick up a stronger bit. If all goes well, some all-new upcycled items (if that’s the proper term) will be ready for the weekend.

I’ve also added a bunch of items to my vintage kitchenware lineup — I wish that I could keep them all, but I just don’t have the space! These sweet 1980’s Pyrex mixing bowls have a clear bottom. With the practicality that one expects from this brand, the colour is on the outside of the bowl, with clear glass inside so the colour shines through. This means that you can use a hand mixer or similar tool without having to worry that you’ll scratch the finish off. These things are definitely built to last.

Hope to see you there!

Teacup Pin Cushion Tutorial

My kids are learning to sew, so I thought that it was time that they had pincushions of their own. I’ve seen teacup pin cushions around at flea markets and craft fairs, so I thought we’d make a go of whipping up some of our own. They’re really easy and right up the kids’ alwy, patience-wise.

Teacup Pin Cushion

Materials:
– 1 teacup (saucer optional)
– 1 square of cotton or cotton-blend fabric, about 3X as wide as the teacup’s top
– polyester fiberfill
– thread

Supplies Needed:
– fabric scissors
– needle
– hot glue gun & glue
– pins

1. It all starts with a teacup — but none of Grandma’s fine china! We bought ours for about $2.00 at a local charity thrift shoppe. If you’re not into tea, a coffee or espresso cup works well, or an egg cup, or even a sake glass. We even made one using a miniature terracotta pot (picked up for about $0.75 at a gardening supply store). Basically, it has to be an opaque container that you like the looks of that’s about the size of an old teacup, or smaller. You will also need to pick out a piece of coordinating fabric that’s about three times as wide as the mouth of your vessel.

1.B. OPTIONAL STEP: If you’re very crafty, you can embroider a design on your fabric at this stage.

2. Using a pair of fabric scissors, cut your fabric into a circle about three times as wide as the opening of your teacup. It doesn’t have to be perfect, since this end will be hidden inside the bottom of the cup where nobody will ever see it.

3. Using a running stitch, stitch around the outside edge of the circle, about 1cm from the edge. Use a sturdy thread, but don’t worry about the colour, since this will be hidden as well. Tie a knot at each end of the thread, but do not stitch that knot into the fabric.

4. Making sure that the fabric is inside-right, pull the thread taut to gather the fabric, but do not tie a knot. This will make a little pouch.

5. Stuff the pouch firmly with fiberfill.

6. Draw the thread as taut as possible and tie it off securely. This will create a small cushion.

7. Stuff the cushion into the teacup, making sure that the end with the stitching and the gathering is at the bottom of the cup.

8. Affix the cushion inside the cup using hot glue. I found that I got the neatest results by pushing the fabric down below the edge of the cup, and then running a bead of hot glue quickly about 0.5cm lower than the edge of the cup. Then I carefully released pressure on the cushion until it sat at the height I wanted, holding it in place while the glue dried. Otherwise, the cushion kept trying to puff much too far out of the cup.

9.B. OPTIONAL STEP: Using hot glue or by sewing, decorate the pin cushion. You can add a border of ribbon or trim around the edge of the cup to conceal the glue. Buttons, lace, small pompoms, googly eyes, felt cutouts, silk flowers… If you’re so inclined, this is a great time to be creative.

And that’s really all there is to it!

As for our last March Break craft, Thing 2 went with a more contemporary look.

Whereas I made mine in a little flower pot. I created the floral element by sticking sewing pins through little fabric flowers bought in a confetti-like pack from the dollar store.

And Thing 1 used the fabric flowers slightly differently, pinning them into place with her pincushion’s pins.

String Art Tutorial

I’ve been wanting to try this craft with my girls for a while; it is a great way to learn how to use a hammer and nails! I never did this as a child, but my little brother did, and his string art masterpiece hung in his room for years. The nice thing about this craft is that you can make it simple or complicated, depending on the skill level of the people doing it. We went with really simple, perfect for a busy day’s work!

String Art

Materials:
– 1 piece of 1/2″to 3/4″ thick wood, approx 12″ by 12″ (pine preferred)
– 1 colour of acrylic paint
– 20 (or so) 1″ long common framing nails
– scraps of thin yarn or string
– sawtooth picture hanger & screws

Supplies Needed:
– fine-grain sandpaper
– paintbrush
– hammer
– wooden clothes pin
– screwdriver

1. We started with a 12″ by 12″ piece of 1/2″ pine shelving left over from an old project. Pine is inexpensive and easy to hammer nails into. Such a small piece can be often be found inexpensively (or free) off-cut from a home improvement store. If you’re not handy with a saw, most reno stores will cut wood to size if you ask.

2. Using fine-grain sandpaper, give the piece of wood a quick once-over to remove any splinters.

3. You can leave the wood unfinished (in fact, a lot of string art is done on gorgeous, rustic barn board), but my girls opted to paint theirs. Two coats of crafting acrylic turned Thing 2’s board an eye-searing pink, while Thing 1 chose a more muted lavender. Don’t forget to cover your work surfaces with paper or plastic if you care at all if it gets stained! (Graffito from the kids is optional.)

4. Nail in the nails in the pattern of your choice. My kids went for an abstract creation of their own design. However, any number of designs and shapes can be downloaded off of the Internet, printed out, and then taped onto the top of the wood. You can then nail along the edges of the design, and rip the paper away when you’re done. Alternately, you can freehand a design in pencil and then paint over the marks before you add the string.

Since the kids hadn’t done much hammering with full-sized hammers before, we used wooden clothes pins to hold the nails upright while they got them started. This keeps their fingers away from the hammer, at least until they have a little bit more precision! (It stunned Thing 1 that I could hold a nail while hammering without smashing my fingers.)

Thing 1 went with a free-form design.

Thing 2 went with a more geometric plan.

5. Tie a few knots around one of the nails, and then go to town wrapping the string around the nails!

6. If you’re planning on hanging the string art on the wall, using a screwdriver, attach a sawtooth picture hanger with screws to the top back of the piece. Alternately, it can be propped on shelf, or held up by a mini easel.

Double-Layered Tuque Pattern

I finished up a second of my extremely-warm double-layered winter hats the other day, this time for Thing 1, and I thought I’d share the pattern. It’s a pretty easy one, as such things go. It involves the basic techniques of casting on, casting off, knitting, purling, increases (k1fb — knit one front and back), decreases (k2tog — knit two together), and knitting in the round (I prefer the magic loop technique, but whatever you are most comfortable with is fine). Don’t let the seemingly long pattern deter you! It’s mostly because the pattern contains a flat-brim and a ribbed-brim version.

A note about sizing: this hat is made to fit my 23″ head with room for a ponytail or other hairdo underneath. I’m no Brent Butt (who claims to have a 27″ head), but my head’s still large enough that it generally falls outside of the women’s hat sizing category and smack-dab into the men’s. Don’t worry, this pattern is adjustable to the size that you want it; instructions are below.


Left: plain brim hat knit in Polo Stripe colourway
Right: ribbed brim hat knit in Favorite Stripe colourway

Double-Layered Tuque
Adult male size, fits 23″ to 24″ circumference head

Materials:
– one 141g (5oz), 215m (236 yds) ball of Red Heart Super Saver Stripes yarn (100% acrylic)
– for ribbed-brim hat only: scraps of contrasting yarn for stitches & pompom
– one set of 5mm (US 8, UK 6) circular knitting needles in a length comfortable for the magic loop method (I prefer 120cm/47″ or longer)

Gauge:
– 21 stitches and 27 rows in stockinette stitch = 20cm x 20cm (4″ x 4″) square on 5mm (US 8, UK 6) needles

Instructions:

Cast on:
– Cast on 18 stitches (flat brim) OR 24 stitches (ribbed-brim).
– Place half of the stitches on each half of the circular needle so as to use the magic loop method.
– Join to work in the round, being careful not to twist.
– Knit one row, placing a stitch marker after every third (flat brim) OR fourth (ribbed brim) stitch. This will divide your work into six sections.

Increase the Crown Exterior:
– First row: *Knit until one stitch before first stitch marker. K1FB on the stitch before the stitch marker. Repeat from * until row is complete. (Every row like this will increase your work by 6 stitches.)
– Second row: Knit.
– Repeat first and second rows until you have 57 stitches per side (flat brim) OR 60 stitches per side (ribbed brim)

SIZING NOTE:

This is where you can adjust for head size. Once you have established your gauge, which you can do either with a swatch or by measuring your stitches as you go, you can calculate how many stitches you will need in total. Use one of the following formulae, depending on whether you’re measuring in metric or imperial:

(Head Circumference + 2.5cm) X Number of Stitches per CM = Desired # of Stitches

OR

(Head Circumference + 1″) X Number of Stitches per Inch = Desired # of Stitches

Then, round the stitch number up to the next multiple of six. It gets a bit more tricky for the ribbed brim version, which must also be divisible by four.

Knit the Body:
– Use a piece of differently-coloured yarn or a safety pin to mark the row where the increases end.
FLAT-BRIM:
– Knit until body measures 9cm (3.5″) from end of increases.
– Remove increase marker.
RIBBED-BRIM:
– Knit until body measures 5cm (2″) from end of increases.
– K2, P2 for and additional 3.8cm (1.5″).
– Remove increase marker.

Decrease:
FLAT-BRIM:
– Divide the number of stitches on each needle by three, and place a stitch marker after each group. Knit the next round, knitting two stitches together for the two stitches before each stitch marker. There should be 54 stitches on each needle.
RIBBED BRIM:
– Divide the number of stitches on each needle by two, and place a stitch marker after each group. Knit OR purl two stitches together, depending on what that stitch should have been in the normal order of K2, P2. There should be 58 stitches on each needle.
– Use a piece of differently-coloured yarn or a safety pin to mark the row where you made these decreases.

Knit the Body Lining:
FLAT BRIM:
– Knit until interior body measures 9cm (3.5″) from decrease marker.
– Remove decrease marker.
RIBBED BRIM:
– K2, P2 for 3.8cm (1.5″) from decrease marker.
– Knit for an additional 5cm (2″).
– Remove decrease marker.

Decrease Lining:
– Divide the number of stitches on each needle by three. For the flat-brimmed hat, unless you have adjusted for size, that means each group should be 18 stitches. For the ribbed-brim hat, the number will not be even. If you have not adjusted for size, divide the stitches 19-19-20. If you have adjusted for size, try and make the groups as even as possible.
– First row: **Knit until two stitches before first stitch marker. K2tog on the two stitches before the stitch marker. Repeat from ** until row is complete. (Every row like this will decrease your work by 6 stitches.)
– Second row: Knit.
– Repeat first and second rows until you have 12 stitches per side (flat brim) OR 18 stitches per side (ribbed brim).
– Cast off, leaving a long tail.

Finishing:
– Run the tail of yarn through the cast off stitches and draw tight, tying a secure knot.
– Run the other tail of yarn through the cast on stitches and pull tight, tying a secure knot.
– Fold the lining into the exterior of the hat so that the cast off and cast on stitches touch, back to back.
– With a few stitches of one of the yarn tails, secure the two ends of the hat together at the point. Tie one tail to the other and pull them between the two layers of fabric.
– Create a pompom out of the leftover yarn (flat brim) or out of scrap contrasting yarn (ribbed brim). Stitch it to the exterior of the peak of the hat.
– About 1cm (about 0.5″) from the bottom edge of the hat (flat brim) OR along the edge of the ribbing (ribbed brim), stitch leftover/contrasting yarn every second stitch, affixing the lining to the exterior of the hat. Then run a piece of leftover/contrasting yarn through these stitches, creating a continuous line. Make sure that these stitches are not too tight, so as not to be uncomfortable around the ears. Tie off the yarn and run it between the two layers of fabric, snipping off any extra if it protrudes.

As usual, should you note any errata in this pattern, or if any instructions need further clarification, please let me know so that I can fix it and/or make my instructions more clear!